{"title":"Variations around a final world","description":"\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003eThis exhibition was born from a collaboration between Vegan Canibal and the gallery-workshop Otra cosa sin nombre (OCSN) to produce a series of graphic editions based on the project El Último Mundo (The Last World). This initiative, centered on the intervention of sharp objects—machetes, knives, brush cutters—as printing matrices, not only generated a new graphic work but also opened a thematic field from which to consider the sharp, the cutting, the violent, and the vital. From this collaboration, an interest arose in inviting other artistic practices that, through different media, engage with these edges, which are also borders. The works brought together evoke fangs, thorns, splinters, cuts; traces of what tears, marks, or wounds. But here, violence is not approached from a moral judgment, but rather as a natural and everyday condition: a tool, a necessity, a possibility of survival. In this sense, the edges of these pieces do not resort to the symbolic representation of what threatens, but rather function as brief thought devices, capable of provoking vital questions and visions. In The Last World, Vegan Canibal transforms knives and saws into graphic matrices. Etched with acid or electricity, these objects become printing plates evoking cracks, lightning bolts, or river branches. The resulting prints—three variable editions of 22 copies each—were made in collaboration with OCSN between April and May 2025. In them, the edge becomes a line, an ornament, or a reminder. Fernando Caridi presents prints from the series Insertions in Food Production Lines (2012), made with kitchen boards used for a month in food establishments. These surfaces, marked by cutting and use, were transformed into intaglio matrices that record a silent archaeology of labor, exposing how food, far from guaranteeing subsistence, is now inscribed within an economy of precariousness. Laura Marin Soto's lithographs introduce a counterpoint where edges operate from the organic, the geological, and the fabulous. Her work emerges from a kind of tropical and biographical delirium, where intertwined forms of flora, fauna, and landscape dissolve the boundaries between body and territory, adornment and armor, the natural and the artificial. Finally, OCSN participates with an object-based piece that materially engages these processes and reinforces the line of graphic and critical experimentation that underpins the entire exhibition. Everything Implicates an Edge thus proposes a journey between what cuts and what leaves a mark, between what wounds and what transforms. Because perhaps everything that survives has ultimately managed to sharpen itself.\u003c\/p\u003e","products":[{"product_id":"3z-06-22-2025","title":"3z (06\/22), 2025","description":"","brand":"Vegan Canibal","offers":[{"title":"Default Title","offer_id":42246586695728,"sku":"VCNB 3z-06","price":12796.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/9753\/7584\/files\/VCNB_3z-06.jpg?v=1755114629"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/9753\/7584\/collections\/veganCanibalRe.png?v=1755115560","url":"https:\/\/shop.otracosasinnombre.com\/collections\/variaciones-en-torno-a-un-ultimo-mundo.oembed","provider":"Otra cosa sin nombre","version":"1.0","type":"link"}